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To solve a problem like this you sever the root, you don’t just sprinkle the leaves with poison. Think of the reason people have turned to piracy. £30 pounds for a newly released CD. £1 for a single song off iTunes. People just can’t afford it, and to be perfectly honest, music is ridiculously overpriced. Look at what the film industry has done over the last year or so: piracy used to be a tremendous problem for the film industry, it was in danger of driving big blockbusters to extinction, so what did the production companies do? They didn’t go about suing those unfortunate few for millions to make an example, they didn’t go about taking entire websites off the web, they didn’t spend hundreds of thousands developing new anti piracy technology to be engraved on their DVD’s, why? Because they realised that no matter what defences they erected against piracy, if people felt the need to do so, they would simply find a way around them, evolution on a smaller and much faster scale. Like the plant which develops thorns to defend against the insect, and the insect which develops a longer proboscis to reach past the thorns, it is an endless fruitless battle, there is no winner. So the film industry did something radical, something which would transform the film world, something which no one expected, but something which proved to be enormously beneficial. They lowered prices.
£15 for a boxset, £10 for a special edition new release, older DVD’s dropping as far down as £6, £5, £2. Sales have since rocketed, cheaper prices means less money coming in per film yes, but so many films are bought that profit has since reached an all time high. They breached a psychological barrier with the customer. When presented with a quality product which will burn through their wallet, and a cheaper, worse quality item for free, people will choose the free item. The extra money isn’t worth the extra quality. But when presented with a quality DVD, just a fraction of the price above the rubbishy version, which will people choose? The extra effort needed to attain an illegal copy doesn’t seem worth the few pounds it would cost to go for the shiny convenient option.

My question is, why not apply this technique to the music industry? Surely it makes sense, less hassle for those involved in piracy, less hassle for those who have to organise campaigns against piracy, less hassle against the artist, and most importantly, more freedom to post music online to enhance your own creation.
But even if this is not the case, how can it help to mute the audio of YouTube videos? Most people put a lot of time and effort into their contribution to the online library of films and videos on YouTube. I say let us have mutual respect for each others art, if WMG wants us to respect their artists by paying them for what they do, then they must in turn show us respect for what we do. And besides, copyright has gotten slightly out of hand. Nobody is going to download a rendition of Bonkers which includes a voice over, grainy audio and only 30 seconds of the song, so why take away the artist who included it in his creation (a lot of the time promoting it in the process), why take away the rewards of his hard work?
If you want to crack down on piracy, fine. Just leave YouTubers alone.
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